An Analysis On The Sincization of Apsaras Art In Dunhuang Mogao Grottoes

VIEWS - 118 (摘要) 58 (PDF (English))
Zijian Zhao

摘要


Buddhist art is an important way to illustrate Buddhist thoughts. Among Buddhist art, Apsaras Art is an extremely significant part of it. Simultaneously, it is the essence of Dunhuang Mogao Grottoes art as well as. As it known to all, Apsaras Art, as an artistic expression of religious thoughts, its artistic style is bound to be influenced by different social consciousness in different times with little doubts. At the same time, this influence will inevitably let creators make performance style of Apsaras increasingly close to the mundane life, which is more and more in line with the aesthetic standard of them as a consequence. To go a step further, it is essential to learn the origin of Apsaras. This paper will analyze the artistic characteristics of Apsaras in Mogao Grottoes from three stages of budding period, exploring period and mature period according to the context of the chronicle to generalize about the sinicization of Apsaras Art.

参考

View



DOI: https://doi.org/10.26789/JWC.2019.01.002
Crossmark

Refbacks

  • 当前没有refback。


Creative Commons License
此作品已接受知识共享署名-非商业性使用 4.0国际许可协议的许可。



Cookies Notification